Your questions answered

Your question

Suzanne works in theatre in education. She has a friend who loves to write, but her job doesn't allow her the time. They're thinking about going it alone in theatre.

Q. How do we start our own theatre company?

Emma Gordon

Emma Gordon, who runs her own theatre company Offshore LA says:

Wow. That really is a big question!

I would suggest that you start by finding a production you actually want to stage. From that,...

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Tim Marston, fire performer and artists' agent

Tim Marston runs circus arts company Juggling Inferno and says:

Whilst I don’t have any direct advice about the mechanics of setting up your own theatre company I do have some tips that may...

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Meet the panel

These kindly souls are here to answer your questions about training, jobs, university, freelancing, work experience or whatever else is concerning you.

But even they have their limits. No questions please about spots, boyfriends, the meaning of life or parents who just don’t understand!

Our panel of experts

  • Daniel Ainsleigh, acting coach
  • Emma Gordon
  • Jill Robertshaw, administration officer, Nottingham Playhouse
  • James Macpherson, artistic director, Artizani
  • Andrew Loretto, artistic director
  • Laura H Drane, freelance arts consultant
  • Annelie Powell, freelance casting assistant
  • Jo Adamson, self employed casting director
  • Matthew Griffiths, chief executive PLASA
  • Jennyfer Owen, community arts development officer
  • Mic Pool, director of creative technology, West Yorkshire Playhouse
  • Amy Bonsall freelance director/ assistant director
  • Jayne Lewis, freelance education development worker
  • Amy Wale, education officer, The Y
  • Sarah Stevenson, education officer, Nottingham Playhouse
  • Paul Clay, executive director, Royal Exchange
  • Maggie Saxon, arts consultant
  • Tim Marston, fire performer and artists' agent
  • Zoe Jeyes, front of house manager
  • Ryan Tyler-Smith, 29, is Front of House Manager for Greenwich Theatre
  • Mat Carroll, general/artistic manager, Bill Brookman Productions
  • David Martin - General Manager, Community Arts North West
  • Paul Green, Freelance Lighting Designer
  • Louise Dancy, participation coordinator, Salisbury Playhouse
  • Katy Fuller, associate producer, Artichoke
  • Linda Borthwick, box office assistant, Northern Stage
  • Francis Stevenson, production electrician and lighting designer
  • Tim Anger, production manager
  • Matt Noddings, production manager
  • Ellie Turner, pyrotechnician/production manager
  • Tom Hare, senior technician, Sadler's Wells
  • Kate Unwin, freelance theatre designer
  • Barbara Eifler, Stage Management Association
  • Martha Everett, freelance stage manager
  • Bev Paskell, technician, South Holland Centre
  • Jonathan Cochrane, development manager
  • Ellen McPhillips, director of two theatres
  • Emily Egleton, freelance design assistant
  • Alison Ashton, theatre designer
  • Roma Patel, freelance theatre designer
  • Peter Moody, 31, self-employed voice coach

Get Into Theatre is not responsible for the advice and opinions given by the panel members.

Previous questions

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The panel

Acting

Jo Adamson
Self-employed casting director, Leeds

Daniel Ainsleigh
Actor and acting coach, Surrey

Emma Gordon
Actress, teacher and workshop leader, Leeds

Peter Moody
Voice/ singing coach, Kent

Annelie Powell
Freelance casting assistant, London

Directing

Amy Bonsall
Self-employed director/ assistant director, London

Education/ community

Louise Dancy
Participation coordinator, Salisbury Playhouse

Jayne Lewis
Education development worker, The Palace Theatre Mansfield

Jennyfer Owen
Community arts development officer, ARC, Stockton-on-Tees

Sarah Stephenson
Education officer, Nottingham Playhouse

Amy Wale
Education officer, The Y, Leicester

Front of house

Zoë Jeyes
Front of house manager, Lakeside Arts Centre, Nottingham

General theatre

Paul Clay
Executive director, Royal Exchange, Manchester

Jonathan Cochrane
Theatre and arts development manager, Arts in Redditch

Laura H Drane
Freelance arts project manager/ fundraiser/ producer, Manchester

Andrew Loretto
Artistic director, Chol Theatre, West Yorkshire

Ellen McPhillips
Theatre company director, Southend Theatres, Essex

David Martin
General manager, Community Arts North West (CAN), Manchester

Derek Nicholls
Chief executive, HQ Theatres, Essex

Maggie Saxon
Executive director and arts management consultant, Northamptonshire

Producing

Katy Fuller
Associate producer, Artichoke, London

Small scale theatre/ street theatre/ circus

Mat Carroll
General & artistic manager, street and circus arts company Genii Productions, Leicestershire

James Mcpherson
Artistic director Artizani, Derbyshire

Tim Marston
Fire juggler/ circus arts agent, Cumbria

Stage management

Barbara Eifler
Stage Management Association, London

Martha Everett
Freelance stage manager, London

Jill Robertshaw
Stage manager turned administrator, Nottingham Playhouse and stage management lecturer, Lincoln University

Ellie Turner
Pyrotechnician and stage manager, outdoor theatre company Walk the Plank, Liverpool

Technical theatre – sound, lighting and production

Tim Anger
Production manager, Opera North, Leeds

Linda Borthwick
Production/administration assistant in the technical office, Northern Stage, Newcastle

Tom Hares
Senior technician, Sadler’s Wells, London

Matt Noddings
Production manager, London

Matthew Griffiths
Chief executive PLASA, London

Bev A. M. Paskell
Technician, South Holland Centre, Lincolnshire

Mic Pool
Director of creative technology, West Yorkshire Playhouse and sound and video designer

Francis Stevenson
Freelance production technician, technical stage manager and lighting designer, Scotland

Paul Green
Lighting designer, London

Theatre design

Alison Ashton
Freelance theatre designer, Newcastle

Corina Bona
Self-employed costume and set designer, Bristol

Emily Egleton
Freelance theatre designer, London

Roma Patel
Self-employed theatre designer and lecturer, Nottingham

Kate Unwin
Freelance theatre designer, Leicester

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